A few examples of appraisal values for
HOPKINS ALLEN

• DENNIS LYALL (B. 1946) "JOHNS HOPKINS"
  DENNIS LYALL (B. 1946) "JOHNS HOPKINS" ORIGINALDennis Lyall (American, B. 1946) "Johns Hopkins" Signed lower left. Original Oil painting on Canvasboard. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. $1 Johns Hopkins stamp issued June 7, 1989. Even though he had little education, Johns Hopkins managed to become a successful entrepreneur. Hopkins, known to his friends as Johnsie, began his lucrative career working for his uncle as a humble grocery merchant. During the recession of 1819, he recognized the advantages of taking whiskey as payment for groceries from people who otherwise could not afford to eat. Both sides benefited from this arrangement -- his grateful patrons turned whiskey into food and he turned whiskey into profit, reselling it under the brand name, "Hopkins' Best."Hopkins uncle disapproved of this business practice. The two men parted ways and Hopkins' business success continued. He feathered his nest with wise investments, and became the largest private stockholder in the fledgling Baltimore & Ohio Railroad. Upon his death in 1873, Hopkins was able to provide generously for his relatives and still bequeath a sizable sum to create The Johns Hopkins University and The Johns Hopkins Hospital. The University, a foundation for research and advanced studies, opened formally in 1876. The medical facility began to operate in 1883, and the Hospital and School of Nursing opened its doors in 1889. The School of Medicine, from the beginning closely linked with the Hospital, opened in 1893. All this thanks to Johns Hopkins, who, though lacking in education himself, left his riches to be used in founding a prestigious institution for higher education. Image Size: 16.75 x 14.5 in. Overall Size: 17.25 x 14.75 in. Unframed. (B12003) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• JOHNS HOPKINS, HOMEWOOD, PHOTOGRAPH
  JOHNS HOPKINS, HOMEWOOD, PHOTOGRAPH 35 1/2 x 27 in., framed.
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, leather spine, cloth boards. Exlibris Burleigh or Hammond Family, Burleigh, 1878.
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, leather spine, cloth boards.
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, rebound, full cloth.
• WILLIAM H. HOPKINS (English 1853-1890).
  WILLIAM H. HOPKINS (English 1853-1890). IN THE STRAWYARD oil on canvas - Framed 14 in. x 18 1/2 in.
• PRINT, AFTER HENRY ALKEN After
  PRINT, AFTER HENRY ALKEN After Henry Alken (British, 1785-1851), "Symptoms of Learning to do the Thing Genteel," 1822, lithograph in colors, published by Thomas McLean, Haymarket, overall (with frame): 13.25"h x 15.25"w
• JAMES R. HOPKINS, AMERICAN (1877-1969),
  JAMES R. HOPKINS, AMERICAN (1877-1969), LYRIC, ETCHING, FEMALE NUDE, 4 1/2"H X 6"W (SIGHT), 7 1/4"H X 9"W (FRAME)James R. Hopkins, American, (1877-1969) Lyric, etching, female nude signed lower right. Biography from the Archives of askART: Born in Irwin, Ohio, James Hopkins served as Chairman of the Art Department at Ohio State University for 25 years and also served as dean of the Cincinnati Art Academy* for one year. He studied for two years with Frank Duveneck and later enrolled in the Academy Colarossi *in Paris but felt no training there surpassed what he had learned in Cincinnati. He traveled around the world in 1904 and then lived in Paris until 1914, when he began his teaching career at the Art Academy of Cincinnati (1914-1920). He was known for a series of paintings of the Cumberland Mountain people of eastern Kentucky. Sources: Ran Gallery, Cincinnati, Ohio. Courtesy, Mary Leonhard Ran Peter Hastings Falk, Editor, Who Was Who in American Art etching, female nude Dimensions: 4 1/2"H x 6"W (sight), 7 1/4"H x 9"W (frame)
• RARE DOUBLE PORTRAIT OF ALFRED
  RARE DOUBLE PORTRAIT OF ALFRED AND JAMES J. COLLINS BY MILTON W. HOPKINS (CONNECTICUT/NEW YORK/OHIO 1789-1844). Oil on canvas signed on the back. The two sons of the Collins family identified on the back with their ages of six and four in 1842. The boys hold a small whip and the pet dog. Conservation report available. 25 1/4''h. 30''w. in its original gilt frame 29 1/2''h. 35 1/2''w. Ex Sumpter Priddy III (Virginia). Milton W. Hopkins and the Collins Family The Connecticut-born artist Milton W. Hopkins (1789-1844) spent most of his life in Connecticut and New York. He began his career as a portraitist in earnest when he advertised himself as a portrait painter and instructor in Albion New York in 1833. In 1836 Hopkins packed up his wife and ten children and headed west to Ohio settling in Clermont County. Though he never sold the Clermont County farm (he would die there in 1844) he would later set up a studio in Columbus (1840-1843) and then in Cincinnati (1843-1844). Based on identified portraits Hopkins clearly traveled throughout the region for commissions. Hopkins was a fervent anti-Mason and temperance advocate and according to research by Jacquelyn Oak it may have been his growing abolitionist sentiment that drove him to Ohio. She further postulates that it is through his anti-slavery efforts that Hopkins met fellow abolitionist and lawyer James Collins Jr. while in Clermont County. Collins (b. 1802 or 1803) a lawyer married Angelina (apparently sometimes called Margaret) in 1830 and had four children. Documenting their location(s) is somewhat challenging but Oak's research places them in Clermont County during Hopkins's residency and later in Illinois (always as an active member of the abolition movement). As an attorney Collins may well have spent time in Columbus (perhaps visiting Hopkins in his studio which was very near the Ohio Statehouse). The 1850 Federal Census locates the Collins family in New Albany Indiana along the Ohio River (and in their household was an African-American girl named Anne Robertson). Hopkins painted portraits Mr. and Mrs. Collins and of their sons Alfred and James in 1842. The portrait of the younger child was painted by another artist after Hopkins's death. All of the present portraits remained together and were ''discovered'' in a Missouri attic years ago. These portraits are among the few identified examples from Hopkins's Midwestern period a fact made more important because of the shared abolitionist efforts of both artist and sitter. Additionally the double portrait of James and Alfred is the only known double portrait by Hopkins. In short this family group of portraits should be considered among the most significant Midwestern portraits of the 1840s period. References: Face to Face: M.W. Hopkins and Noah North 1988 Joy-Dyer Cornelia C. Some Records of the Dyer Family 1884 Williams Byron History of Clermont and Brown Counties Ohio 1913. Complete conservation report available including before and after photos. Conservation performed by Richmond Conservation Studio (Virginia) in 1996. Addtional information is included with the lot. For a Hopkins portrait with a similar dog see Sotheby's (New York) January 2004 lot 32.
• TWO PORTRAITS OF JAMES COLLINS
  TWO PORTRAITS OF JAMES COLLINS AND WIFE BY MILTON W. HOPKINS (CONNECTICUT/NEW YORK/OHIO 1789-1844). Oil on canvas signed and dated on the back with sitters' identities. Pleasant portraits of the parents James Collins Esq. aged thirty-nine in 1842 and Mrs. A. Collins aged thirty-six. Conservation report available. Both are 30''h. 25''w. in their original gilt frames 35''h. 30''w. Ex Sumpter Priddy III (Virginia). Milton W. Hopkins and the Collins Family The Connecticut-born artist Milton W. Hopkins (1789-1844) spent most of his life in Connecticut and New York. He began his career as a portraitist in earnest when he advertised himself as a portrait painter and instructor in Albion New York in 1833. In 1836 Hopkins packed up his wife and ten children and headed west to Ohio settling in Clermont County. Though he never sold the Clermont County farm (he would die there in 1844) he would later set up a studio in Columbus (1840-1843) and then in Cincinnati (1843-1844). Based on identified portraits Hopkins clearly traveled throughout the region for commissions. Hopkins was a fervent anti-Mason and temperance advocate and according to research by Jacquelyn Oak it may have been his growing abolitionist sentiment that drove him to Ohio. She further postulates that it is through his anti-slavery efforts that Hopkins met fellow abolitionist and lawyer James Collins Jr. while in Clermont County. Collins (b. 1802 or 1803) a lawyer married Angelina (apparently sometimes called Margaret) in 1830 and had four children. Documenting their location(s) is somewhat challenging but Oak's research places them in Clermont County during Hopkins's residency and later in Illinois (always as an active member of the abolition movement). As an attorney Collins may well have spent time in Columbus (perhaps visiting Hopkins in his studio which was very near the Ohio Statehouse). The 1850 Federal Census locates the Collins family in New Albany Indiana along the Ohio River (and in their household was an African-American girl named Anne Robertson). Hopkins painted portraits Mr. and Mrs. Collins and of their sons Alfred and James in 1842. The portrait of the younger child was painted by another artist after Hopkins's death. All of the present portraits remained together and were ''discovered'' in a Missouri attic years ago. These portraits are among the few identified examples from Hopkins's Midwestern period a fact made more important because of the shared abolitionist efforts of both artist and sitter. Additionally the double portrait of James and Alfred is the only known double portrait by Hopkins. In short this family group of portraits should be considered among the most significant Midwestern portraits of the 1840s period. References: Face to Face: M.W. Hopkins and Noah North 1988 Joy-Dyer Cornelia C. Some Records of the Dyer Family 1884 Williams Byron History of Clermont and Brown Counties Ohio 1913. Conservation report available. Conservation performed by Bardwell Conservation (Virginia) in 1997. Addtional information is included with the lot.
• HARRY A. EVANS. "JOHNS HOPKINS,"
  HARRY A. EVANS. "JOHNS HOPKINS," GOUACHE (American, 1926-1995). Gouache on paper, signed lr, sight size: 12 1/2 x 8 in., framed.
• BUDD HOPKINSAmerican 1931-2011Abstract.
  BUDD HOPKINSAmerican 1931-2011Abstract. Signed and dated lower left center Hopkins 62''.Provenance:Private Collection Massachusetts.Oil on paper 14'' x 11''. Unframed.''
• HOPKINS, G.M., PARTIAL 1877 CITY
  HOPKINS, G.M., PARTIAL 1877 CITY ATLAS OF ALEXANDRIA, VA.HOPKINS, G.M., PARTIAL 1877 CITY ATLAS OF ALEXANDRIA, VA., lithographed title-page, contents, business notices and 11 double-page hand-colored lithographed ward maps showing names of residents and businesses. Folio, 17 1/2 x 14 inches, publisher's roan backed gilt-lettered cloth boards, early ownership inscription on front endpaper; Philadelphia: G.M. Hopkins, 1877
• JAN HOPKINS(American, 20th/21st
  JAN HOPKINS(American, 20th/21st century) Minerva, unsigned, figurative basket made of cherry bark, waxed linen and Alaskan yellow cedar bark, 20 x 17 x 9 in. Provenance: Thirteen Moons Gallery, Santa Fe, New Mexico, purchased in 2004 for $6,000 (accompanied by inventory document and receipt); Jerry and Deena Kaplan Collection of Modern Art and Crafts Condition: overall good condition, a few areas of wear to bark strips, one small hole
• ERIC HOPKINS (ME/CT, 1951 - ) Signed
  ERIC HOPKINS (ME/CT, 1951 - ) Signed Exhibition Poster utilizing Hopkin's watercolor "Sun Across the Water" dated 5-18-91 and ink inscribed "For my Favorite 'Gallery Manager', Thanks for all the great help this 'summer', 8-22-91, Eric Hopkins". In black metal slat frame, matted and glazed, OS: 28" x 40 3/4', SS: 23" x 19 1/4", good condition.
• Robert Hopkin (American, 1832-1909).
  Robert Hopkin (American, 1832-1909). "Beadliner, Lake St. Clair". Oil on canvas, signed, signed, titled on verso, approx. 9" x 15", framed in a wide decorative gilt frame overall approx. 21" x 26-3/4".
• HENRY ALKEN, SR.: "THE STEEPLE
  HENRY ALKEN, SR.: "THE STEEPLE CHASE SCENES" (SIX WORKS)circa 1847 watercolor on paper comprising: "The Warren Wall", "Wattle Fence with a Deep Drop", "The Brook", "The Starting Field", "In and Out of the Lane" and "The Run In " Provenance: each with gallery label verso from Richard Green, London Condition: each good. Wear to frames. Not examined out of frames each sight: 10 1/4 x 14 1/4 inches; each frame: 19 x 22 1/2 inches Condition:
• PRINT, AFTER HENRY THOMAS ALKEN
  PRINT, AFTER HENRY THOMAS ALKEN After Henry Thomas Alken (British, 1785-1851), "The Pleasure of a View Holla, Gone Away," hand-colored etching and aquatint, published by S. and J. Fuller, London, England, overall (with frame): 19.5"h x 20.5"w
• EDIE PYLE HOPKINS, MARYLAND ARTIST,
  EDIE PYLE HOPKINS, MARYLAND ARTIST, WATERCOLOREdie Pyle Hopkins (American, 20th C) watercolor on paper depicting shanties along a river, framed and matted under glass; measures approximately 20-5/16" x 24-1/4" with a sight image of approximately 14-1/8" x 18-3/16". Signed to lower right "Edie Pyle". Edie Pyle Hopkins is a well-known Maryland watercolorist specializing in portraits and landscapes. She is a graduate of the Yale School of Fine Arts & has been associated with the National Gallery of Art in Washington & the Guggenheim Museum of Art in New York. Her pieces are exhibited in galleries throughout the East Coast, as well as in many private & corporate collections. Hopkins is a juried member of the Baltimore Watercolor Society, the Washington Watercolor Society, the Potomac Valley Watercolor Society, & the New Hampshire Art Association. She is also a member of the Annapolis Watercolor Club.
• Vintage relief carved plaque of
  Vintage relief carved plaque of John Hopkins. Inscribed on back with his D.C. address. 21'' x 29'' x 2'' thick.
• Lithograph "Dexter Ethan Allen
  Lithograph "Dexter Ethan Allen and Mate" by Haskell & Allen 61 Hanover Street Boston. 21.5"x27.5"
• ERIC HOPKINS (ME/CT, 1951 - ) "Looking
  ERIC HOPKINS (ME/CT, 1951 - ) "Looking Far and Over", mixed media on paper, pencil signed, titled and dated '1-27-91'. In aluminum boxed frame, matted and glazed, OS: 26 1/2" x 33", SS: 21" x 27 3/4", lightly rippled at top.
• Alken, H. Illustrations to Popular
  Alken, H. Illustrations to Popular Songs, Thomas M'Lean 1823, 41 hand coloured plates
• Albin Henning (American, 1886-1943)
  Albin Henning (American, 1886-1943) Western Magazine Illustration, oil on board, monogrammed "AH", partial signature on reverse, inscriptions on reverse, inscriptions on reverse, 19" x 14", framed 24-3/4" x 20-3/4", good condition
• THOMAS HENRY HUNN (1857-1928) COTTAGE
  THOMAS HENRY HUNN (1857-1928) COTTAGE WATERCOLORFramed watercolor painting on paper, "At Ashton Under Hill, Worcestershire, England," signed lower left T. Hunn (Thomas Henry Hunn, British, 1857-1928), sight: approx 9.25"h, 12.5"w, overall: 21.5"h, 24.5"w, 10lbs
• BUDD HOPKINS (AMERICAN 1931-2011)
  BUDD HOPKINS (AMERICAN 1931-2011) UNTITLED ABSTRACT Oil on canvas: 11 x 19 in. Framed Lower right signed and dated: Hopkins 65
• PAIR OF HENRY ALKEN JR. COLORED
  PAIR OF HENRY ALKEN JR. COLORED LITHOGRAPHS "THE BROOK"...Pair of Henry Alken Jr. (British 1810-1894) Colored Lithographs "The Brook" and "First Hurdle", Representing the last steeplechase which took place at the Hippodrome Race Course, Kensington, London, W. Painted by Henry Alken Jr. and engraved by Chas. Hunt, matted and framed 18 in. x 23.75 in. Framed 28.5 in. x 33.75 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• Three hand colored hunt scene engravings
  Three hand colored hunt scene engravings after H. Alken by J. Harris. Titled ''Going to the Meet'' ''A Check'' and ''Whoop''. All titled in lower margin. Marked in lower right margin ''J. Harris'' and ''H. Alken'' in lower left. All are framed in matching gold and red tone frames. Condition: very minor wear to frames some separating at corners see images. Each measures 8'' wide x 5.75'' tall (sight) and 13.5'' wide x 10.5'' tall (frame). Shipping weight 4.2 lbs.
• JOHNS HOPKINS ARCHITECTURAL FRAMED
  JOHNS HOPKINS ARCHITECTURAL FRAMED GICLEE Gilman Hall, after a watercolor; 42 x 35 3/4 in., framed.
• HOPKINS Bud.1972 Geometric Oil
  HOPKINS Bud.1972 Geometric Oil on Canvas.Signed and dated lower right. Bud Hopkins American 1931 - 2011. From a Stamford CT estate. Dimensions: 21'' high x 19'' wide. Condition: Good minor surface stain in yellow segment.
• LINTON HOPKINS (1886-1968) ETCHING
  LINTON HOPKINS (1886-1968) ETCHING BUFFALO HUNTFramed etching on paper, "Buffalo Hunt," signed lower right Lin Hopkins (Linton Hopkins, American, 1886-1968), dated [19]31, sight: approx 6.25"h, 11.25"w, overall: 11.25"h, 16.25"w, 1.75lbs **Provenance: A prominent Dallas, Texas estate**
• FEDERAL PERIOD PORTRAIT Federalist
  FEDERAL PERIOD PORTRAIT Federalist Period Portrait of the Hopkins Family of Swanton, Vermont, painted in 1837 by an itinerant artist, oil on canvas laid to panel, unsigned, depicting Herman, Mary (nee Tyrell), Mary Elizabeth and Forrest seated on sofa with a black cat in the mother's lap, below a mirror with a reflected open doorway, mother is in ruffled bonnet, daughter in white lace dress, boy in sky blue dress with ivory buttons, in later black molded frame with gold liner, SS: 40 1/2" x 42 1/2", OS: 44" x 46". Cleaned and laid onto aluminum panel in the 1960s, curling at top edge. Includes extensive genealogical notes. Includes the original blue dress worn by the younger daughter.
• ALICE IMOGEN HOWELLSAmerican 1870-1938Highland
  ALICE IMOGEN HOWELLSAmerican 1870-1938Highland Light Truro. Signed lower right Alice Howells''. Howells studied under Charles Hawthorne and was a member of the Provincetown Art Association.Watercolor on paper 10'' x 8'' sight. Framed.''
• Charles Herbert Allen (Massachusetts,
  Charles Herbert Allen (Massachusetts, 1848-1934) oil on canvas landscape with bridge, signed lower left 12"L x 16"H sight size
• HOPKINS, ALBERT A. MAGIC: STAGE
  HOPKINS, ALBERT A. MAGIC: STAGE ILLUSIONS AND SCIENTIFI...Hopkins, Albert A. Magic: Stage Illusions and Scientific Diversions. New York: Munn & Co., 1897. Publisher's pictorial cloth. Tall 8vo. Frontispiece behind tissue, illustrated with plates. Cloth scuffed and darkened, binding a trifle weak, else a very good copy.
• 1 vol. (Philadelphia Property
  1 vol. (Philadelphia Property Atlas.) Hopkins, G.M. Atlas of West Philadelphia, including the 24th & 27th Wards. Philadelphia, 1872. Folio, orig. gilt-lettered cloth, morocco back & corners; heavily rubbed. With color outline & index map + 15 color maps (13 double-page). Contents mostly loose, minor toning, occasional light chipping to edges. Le Gear L-